News
Klaas Kloosterboer at MNAC Bucharest
The National Museum of Contemporary Art (MNAC) in Bucharest, Romania,
presents a solo exhibition by artist Klaas Kloosterboer, opening 25 May
2023.
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presents a solo exhibition by artist Klaas Kloosterboer, opening 25 May
2023.
HIDDE VAN SEGGELEN at TEFAF Maastricht 2023
HIDDE VAN SEGGELEN is proud to participate in TEFAF Maastricht 2023.
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At our stand number 454 our focus is on sculpture and includes presentations by artists Richard Bevan, Ansuya Blom, Harmen Brethouwer, Andy Holden,
Suchan Kinoshita, Klaas Kloosterboer, Pere Llobera, Jan van de Pavert and Wim T. Schippers.
Pere Llobera in group show at A Tale of A Tub, Rotterdam
Work by Pere Llobera from a private collection is included in the group show Beyond a Certain Point There Is No Return at A Tale of A Tub, Space for contemporary art and culture, Rotterdam. On view as of 8 February until 9 April 2023
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It fades and fades and fades, ugh, ugh, ugh
HIDDE VAN SEGGELEN proudly presents a new solo exhibition by Richard Bevan at the gallery. Preview on 23 February at 6 pm.
Brassaï - GRAFFITI
In the new year, we will open with an exhibition of the original photographs by Brassaï that were used for his famous book Graffiti. The exhibition is on view from 5 January 2023 and will be on view until 18 February 2023.
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Damian Taylor and Roger Ackling in group show at Hestercombe Gallery
Works by Damian Taylor and Roger Ackling are included in the special group show 'Expanding Landscapes: Painting After Land Art' at Hestercombe Contemporary Art Gallery, Taunton, Somerset, UK.
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Ansuya Blom, Video Club at IDFA
IDFA and the Stedelijk Museum Amsterdam present Video Club with Ansuya Blom, with a screening of Blom’s films on 20 November 2022.
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Suchan Kinoshita at Westfälischer Kunstverein, Münster
Westfälischer Kunstverein Münster presents a solo exhibition by Suchan Kinoshita. On view until 12 February 2023.
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Old Light - Roger Ackling & Damian Taylor
HIDDE VAN SEGGELEN is pleased to announce Old Light, an exhibition that draws together works by Roger Ackling and Damian Taylor, artists who share a fascination with marking time through the trace of light.
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HIDDE VAN SEGGELEN @ TEFAF MAASTRICHT 2022
HIDDE VAN SEGGELEN is pleased to announce its participation in TEFAF Maastricht, the worlds pre-eminent art fair taking place at MECC in Maastricht, the Netherlands. After a pause of two years the fair is returning in full glory celebrating its 35 years anniversary during the last week of June.
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Now representing Wim T. Schippers
HIDDE VAN SEGGELEN is very proud to announce the representation of the renowned Dutch artist Wim T. Schippers.
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New publication by Harmen Brethouwer
Hidde van Seggelen is proud to announce the new publication: 'The Exquisite corpse, the Grammar of Ornament', to accompany the special project by Harmen Brethouwer in cooperation with Young & Ayata architects, New York.
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Klaas Kloosterboer @ Kröller-Müller Museum, the Netherlands
The
Kröller-Müller Museum, Otterlo, the Netherlands presents a large solo
exhibition of Klaas Kloosterboer, opening Saturday, 9 July 2022. ‘The
rules and the game’ brings together more than thirty works ranging
from paintings with well-placed blobs of paint to assemblages of boxes
and objects trouvés, and from polka-dot works to video works in which
Kloosterboer records his actions in the studio.
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Kröller-Müller Museum, Otterlo, the Netherlands presents a large solo
exhibition of Klaas Kloosterboer, opening Saturday, 9 July 2022. ‘The
rules and the game’ brings together more than thirty works ranging
from paintings with well-placed blobs of paint to assemblages of boxes
and objects trouvés, and from polka-dot works to video works in which
Kloosterboer records his actions in the studio.
Pieter Laurens Mol @ Stedelijk Museum Breda, the Netherlands
Playful, poetic and layered: a description of Breda-born artist Pieter Laurens
Mol’s work. From 23 July, the Stedelijk Museum Breda will present a selection
of his work from 1965 to the present in a large solo exhibition called ' Night
Flight', an ode to darkness.
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Froschhaut
Jos van Merendonk
13 January – 5 March 2022
HIDDE VAN SEGGELEN is pleased to present the exhibition Froschhaut by Jos van Merendonk.
Jos van Merendonk’s oeuvre has been developed during a 40 year period and consists mainly of painting and works on paper.
Froschhaut is van Merendonk’s first exhibition with the gallery in Hamburg and encompasses works from earlier periods to the present.
Follow Suit
Klaas Kloosterboer
21 October – 10 December 2021
21 October – 10 December 2021
Hidde van Seggelen is pleased to present the exhibition "Follow Suit" by Klaas Kloosterboer.
Thomas Grünfeld @ Textiel Biënnale, Museum Rijswijk
During the Textiel Biënnale, Museum Rijswijk will show a selection of works by 21 international artists. Within the theme 'Food for Thought' the artists will share their personal vision on current and future food production and consumption.
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WIE OOB
Nie Pastille
10 June - 14 August 2021
Dream sequences transformed into colorful, almost esoteric hippie-esque oil-on-linen and chipboard are presented as wall objects. Nie's canvasses are unconventionally constructed by re-joining sawn parts, providing rounded irregular shapes with soft edges and feature open partitions, occasionally including painted stuffed linen cushions. The edges are covered with plain cloth.
Meanderlust
Harmen Brethouwer
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29 April - 5 June 2021
Hidde van Seggelen is pleased to present the exhibition "Meanderlust" by Dutch artist Harmen Brethouwer. This is Brethouwer’s third exhibition with the gallery and his first in the gallery in Hamburg.
Hidde van Seggelen is pleased to present the exhibition "Meanderlust" by Dutch artist Harmen Brethouwer. This is Brethouwer’s third exhibition with the gallery and his first in the gallery in Hamburg.
The community of the painted
Jos van Merendonk is currently showing 24 paintings at Parts Project in the Hague, the Netherlands. It is the second showing by van Merendonk at the private cultural initiative founded by collector Cees van den Burg.
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For this exhibition a free catalogue is available including two essays by Roland Groenenboom and Franz W. Kaiser. This publication can be viewed also online: https://partsproject.nl/wp-content/uploads/PP17-boekje.pdf
The exhibition is extended until 21 March 2021. For visiting and gaining access to the show please contact Parts Project.
TEFAF Online 2020
Hidde van Seggelen is pleased to participate in the inaugural TEFAF ONLINE 2020.
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On the occasion of this event we will present a kinetic work from German artist Gerhard von Graevenitz.
The kinetic object Zwei Streifen is one of the first object Von Graevenitz made after his return from Paris. The black and white lines move at slow speed independently over the square canvas and never touch or overlap each other.
The kinetic object Zwei Streifen is one of the first object Von Graevenitz made after his return from Paris. The black and white lines move at slow speed independently over the square canvas and never touch or overlap each other.
TEFAF Online 2020 will run until November 4, 2020
Somerleyton
There is a passage in W.G. Sebald’s book Rings of Saturn in which the narrator describes Somerleyton, a famous English country manor. Somerleyton’s magical quality is that everything flows so harmoniously that any obvious divisions between inside and outside are blurred: “it was famed for the scarcely perceptible transitions from interiors to exterior; those who visited were barely able to tell where the natural ended and the man-made began.” Reading this passage, Driessen was struck by how the concept of the porous boundary between inside and outside described the ideas his new series of paintings explores. In Driessen’s Somerleyton paintings, he uses the fragmented human body to examine this tension between in and out, shaking up the body to see what happens when inside and outside meet, the way paint meets the surface of a canvas.
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Tear it up
Hidde van Seggelen is proud to announce an exhibition by Spanish artist Pere Llobera.
Pere Llobera’s paintings resemble volatile evocations of possible worlds. The works are like scenes taken from a narrative, fragments in a film or a detective story. Often, they combine various layers and types of visual information. The painterly style is atmospheric, moody; a sleek unevenness suggests that everything can change at any moment; this mercurial aspect is important.
Llobera is interested in the state of the world, he makes art in response to political issues, and takes his inspiration from many artists. He favours a humoristic approach to the unexpected, for example he made a painting of one of his own works, that was hung behind a door because his friend’s wife did not favour it. Sometimes he collaborates with other artists.
HIDDE VAN SEGGELEN @ TEFAF MAASTRICHT 2020
Due to the Corona virus outbreak the 2020 edition of TEFAF Maastricht was cut short.
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Klaas Kloosterboer @ Kasteel Wijlre, Wijlre (near Maastricht), The Netherlands
Text by Estate Wijlre: The exhibition surveys thirty years of his practice. Kloosterboer is a painter whose wide-ranging work consistently bridges the gap between abstraction and action. By questioning the elements of painting and its display, he confronts the viewer with the painting process. Rather than illustrating thoughts, his work is often an act in and of itself. As such, Kloosterboer’s work is always rooted in an action. He might determine a place on the canvas through cutting, sewing and throwing paint. Sometimes you see a suspended life-size, hand-sewn linen costume; a series of painted boxes; or even a video depicting the view through a car’s rear window as it pulls two giant balls down a road.
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Pere Llobera: Circular Fable. Alone and Maddened: Between Total Accuracy and a Song by Sau. @ La Capella, Barcelona, Spain
Text by La Capella: Faula rodona started four years ago when Pere Llobera found himself looking at Richard Dadd’s painting Titania Sleeping. The real madness of its painter, who produced all of his paintings while a patient in a psychiatric hospital, gave us not an aphorism but a weighty axiom: “there is no art without conflict”. The apathy of the world today and the fact that, as Imre Kertész states, “we live in a metaphysically abandoned world” call on the artist to generate this invocation of conflict and wonder inside the Chapel of the Santa Creu.Mishima went to talk to some students hostile to him at the university. One of the youths shouted, “Mishima! Be sensible!” To which he replied: “How can you expect me to be sensible if I’ve come here today?” This would be the spirit of the exhibition: to keep, contrary to all logic and prudence, the Chinese plates spinning on their poles and to end up sewing the sticky web of this project to which everything the artist was seeking and everything that has crashed into it by accident has adhered.
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Siobhán Hapaska @ Kunstmuseum St Gallen, Switzerland
text by Kunstmuseum St Gallen: Siobhán Hapaska’s sculptures contain political, social, and ideological aspects, but also reflect elements of technology and nature. The works in the current series with titles such as Touch and Love are made of a newly developed material, a concrete fabric that is used for emergency shelters. The artist uses its qualities to create striking sculptures that refer to the human body. Alienation and loneliness as well as a carefree attitude and humor are recurring feelings in her work; she soberly explores and examines them in sculptural placements. This results in complex material relationships that oscillate between potential power and balanced equilibrium. The sculptures, enigmatic in their composition, allow for several readings: the inherent properties of the materials contrast with symbolic meanings for the environment/ecology, economy, culture, and religion.
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Carina Ellemers: The Future is Female @ CODA Museum Apeldoorn, The Netherlands
The Future is Female - Love Letters at CODA Museum will show a selection of works by 41 artists. Curated by guest curator Francis Boeske the exhibition features a wide variety of means and materials: paper meets textiles, from cyanotype and painting to video. The Future is Female was first initiated at PARTS Project in The Hague in 2018. Among other artists, Ellemers will show together with Hanne Darboven, Sylvie Fleury, Terri Friedman,Helga Goetze, Claire Harvey, Jenny Holzer, Dorothy Iannone, Emily Kame Kngwarreye, Kiki Kogelnik, Käthe Kollwitz, Kinke Kooi, Kiki Lamers, Lynne Leegte, Agnes Martin, Annie Morris, Hamideh Najafi, Otobong Nkanga, Malin Gabriella Nordin, Anna Oppermann, Yoko Ono, Andrea Rádai, Marisa Rappard, Lydia Schouten, Aase Seidler Gernes, Lise Sore, Lily van der Stokker, Lucia Tallova, Rosemarie Trockel.
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Ansuya Blom @ CASCO Art Institute, Utrecht, The Netherlands
Ansuya Blom's work is featuring at Casco Art Institute in Utrecht, The Netherlands as part of a program of four solo exhibitions. Blom is showing alongside Babi Badalov, Ama Josephine Budge, and Mire Lee.
'Ansuya Blom invites us to sense a dreamworld or a dark corner of the mind through her delicately rendered paintings, drawings, collages, sculpture, and films. Revealed vital organs in a series of paintings refer to the consequences of putting words to what you cannot describe yet what’s happening irresistibly on your “insides.” The partially concealed interior scenes of psychiatry clinics on collages draw a hazy line between confusion and clarity.' [cit. Caso website]
This exhibition runs until November 3, 2019
Tom Benson at PEAC Museum, Freiburg, DE
Works by Tom Benson are included in the current exhibition The Garden of Colours at the PEAC Museum in Freiburg, Germany.
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The collection at PEAC, one of the most important collections in the field of radical painting in Europe, has been brought together by the late entrepreneur Paul Age.
The exhibition will run from 22 September 2019 to 9 April 2020. Museum director Dr. Julia Galandi-Pascual will host a special guided tour of the exhibition on Monday 21 at 19.00.
Artists included are Dieter Kiessling, Günter Umberg, Rudolf de Crignis, Andreas von Ow, Elge Esser, Stephan Baumkötter, Agnes Martin, Marcia Hafif, Donald Judd, Carl Andre, Tom Benson, Peter Tollens, Frank Badur, Myriam Holme, Reto Boller, Judith Kakon, Franziska Reinbothe, Raimund Girke, Maria Tackmann, Phil Sims, Winston Roeth and Nikola Ukic.
For further information please visit the new PEAC website:
Hidde van Seggelen is pleased to present the first exhibition in Germany of London-based artist Damian Taylor.
Damian Taylor
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Finger
25 October-14 December
Private view
24 October 5 - 8 pm
Finger brings together a group of recent paintings on abraded aluminium supports, which feature a number of images of significant yet often reclusive hands (and the occasional tentacle). It continues the artist's long-standing inquiry into the emotional and intellectual intelligence of hands. Its title returns to a group exhibition held in 2012 at Hidde van Seggelen, London, co-curated by Taylor and Richard Bevan and also featuring works by Ed Atkins, Sean Edwards, Sophie Michael, and Mali Morris.
Lutz Driessen participating in group exhibition 'The Secret of Things'
Lutz Driessen is participation in the group exhibition 'The Secret of Things. Painted pieces', curated by Hartmut Neumann. The exhibition was previously shown at Beck & Eggeling in Düsseldorf and is now in expanded form on view at the Kunsthalle Recklinghausen.
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Participating artists are: Thomas Arnolds, Martin Assig, Michael Bauer, Tim Berresheim, Norbert Bisky, Peter Bömmels, Nicola de Maria, Peter Dreher, Lutz Driessen, Robert Elfgen, Wolfgang Ellenrieder, Max Ernst, Jean Fautrier, Bruno Goller, Wolf Hamm , Thomas Hartmann, Anton Henning, KH Höhle, Gerhard Hoehme, Thomas Huber, Johannes Hüppi, Leiko Ikemura, Olav Christopher Jenssen, Marjorie Jongbloed, Konrad Klapheck, Robert Klümpen, Karin Kneffel, Dieter Krieg, Susanne Kühn, Stefan Kürten, August Macke, Stephan Melzl, Hartmut Neumann, Heribert C Ottersbach, Simon Pasieka, Ulrich Pester, Stefanie Popp, Roland Schappert, Katharina Schilling, Julia Schmid, Andreas Schulze, Norbert Schwontkowski, Sibylle Springer, Norbert Tadeusz, Gert and Uwe Tobias, Cornelius Völker, Friedemann von Stockhausen, Stefan à Wengen and Thomas Werner
Pere Llobera at Museum Voorlinden - Pere Llobera wins Sacha Penning 2019 award
We congratulate Spanish artist Pere Llobera (1970) on winning the Sacha Tanja Penning 2019 award on Saturday the 16th of February.
The Sacha Penning Award is a yearly recurrent honour to an artist, person or institution who highly contributes to the figurative arts in The Netherlands. The winner of the award receives a prize of 10.000 Euro.
The Jury awarded this years prize to Pere Llobera in honour of his whole oeuvre. Pere Llobera is trained as a classical painter in Barcelona, where he lives and works. At first glance, Pere Llobera's paintings appear to be realistic depictions, almost like snapshots. But in reality they are collages in which he blends facts and fiction, often with a trace of absurdity.
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The Sacha Penning Award is a yearly recurrent honour to an artist, person or institution who highly contributes to the figurative arts in The Netherlands. The winner of the award receives a prize of 10.000 Euro.
The Jury awarded this years prize to Pere Llobera in honour of his whole oeuvre. Pere Llobera is trained as a classical painter in Barcelona, where he lives and works. At first glance, Pere Llobera's paintings appear to be realistic depictions, almost like snapshots. But in reality they are collages in which he blends facts and fiction, often with a trace of absurdity.
To show Pere Lbobera unique and fascinating view of the world, Museum Voorlinden presents works from 2007 till more recent paintings in the cabinets of the museum from February 16 onwards.
Image: courtesy Hidde van Seggelen - collection ING Bank
Pieter Laurens Mol at Van Gogh Museum Amsterdam
We are delighted that Pieter Laurens Mol is currently exhibiting at the Van Gogh Museum in Amsterdam.
This intimate presentation shows various works by artist Pieter Laurens Mol (Breda, 1946) from the period 1970 – 2000. The works - photographs, installation and drawings - are related to Mol's own memories of Vincent van Gogh and the province of Brabant, the region from which both men originate.
For the presentation on the third floor of the museum, the artist has selected the installation Lament Superior, 1991 from collection Van Abbe Museum, Eindhoven, two large photo works Winter over Spring (Forest Zone), 1994 from the collection of Ludmila Danon, Brussels, a smaller painting titled Coucher de Soleil, 1987, private collection, The Hague, and a group of early drawings from 1968-1975. Elsewhere in the museum is installed, Vincent, Painter of the Free Range, 1992. It is the first time that these works have been brought together in this manner.
This exhibition is part of a series of presentations of modern and contemporary art at the Van Gogh Museum showing how later generation artists have been inspired by van Gogh, and follows recent presentations of works by John Chamberlain, Francis Bacon, Edvard Munch, Frank Auerbach, Willem de Kooning, Zeng Fanzhi, Peter Doig and expressionist paintings from the Merzbacher collection.
This intimate presentation shows various works by artist Pieter Laurens Mol (Breda, 1946) from the period 1970 – 2000. The works - photographs, installation and drawings - are related to Mol's own memories of Vincent van Gogh and the province of Brabant, the region from which both men originate.
For the presentation on the third floor of the museum, the artist has selected the installation Lament Superior, 1991 from collection Van Abbe Museum, Eindhoven, two large photo works Winter over Spring (Forest Zone), 1994 from the collection of Ludmila Danon, Brussels, a smaller painting titled Coucher de Soleil, 1987, private collection, The Hague, and a group of early drawings from 1968-1975. Elsewhere in the museum is installed, Vincent, Painter of the Free Range, 1992. It is the first time that these works have been brought together in this manner.
This exhibition is part of a series of presentations of modern and contemporary art at the Van Gogh Museum showing how later generation artists have been inspired by van Gogh, and follows recent presentations of works by John Chamberlain, Francis Bacon, Edvard Munch, Frank Auerbach, Willem de Kooning, Zeng Fanzhi, Peter Doig and expressionist paintings from the Merzbacher collection.
Siobhán Hapaska at John Hansard Gallery
John Hansard Gallery presents a solo exhibition by Siobhan Hapaska's (b.1963). This exhibition highlights new a recent sculptural works including: 'Love' (2016), 'Snake and Apple', 'Earthed', and 'Candlewick' (all 2018).
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Photo credit: Steve Shrimpton
POST NO ARMS ON MARS
Hidde van Seggelen - as guest of Sfeir-Semler Gallery Hamburg - is proud to announce the solo-exhibition 'Post No Arms on Mars' by Dutch artist Pieter Laurens Mol.
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Gallery Sfeir-Semler
Admiralitätstrasse 71
D-20459 Hamburg
Germany
Exhibition:
1 February - 15 March 2019
Opening hours:
Monday to Friday 11-6pm
Saturday 11 am-4pm
Art Rotterdam 2019
Hidde van Seggelen is proud to present a selection of works by Tom Benson, Harmen Brethouwer, Lutz Driessen, Carina Ellemers, Jos van Merendonk and Damian Taylor at Art Rotterdam 2019.
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Art Rotterdam
Van Nelleweg 1
3044 BC Rotterdam
Opening hours:
February 7 - 10
Daily 11 am - 19 pm
Pere Llobera on view in Spain
Two exhibitions at Bombon Projects in Barcelona and Sis Galeria in Sabadell explore Pere Llobera's ever changing styles and painterly references, from Antic Assemblages to Cartoonish canvases.
Press Review Frieze:
PAN Amsterdam 2018
We are pleased to participate at PAN Amsterdam 2018 with a selection of works by Harmen Brethouwer, Lutz Driessen, Carina Ellemers, Klaas Kloosterboer, Jos van Merendonk, Pieter Laurens Mol and Damian Taylor.
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PAN Amsterdam
Europaplein 20
1078 GZ Amsterdam
Arbeiten Aus System. Konkrete Kunst 1954-2011
Tom Benson takes part in the exhibition “Konkrete Kunst 1954-2011” which includes 50 artworks from the collection of Manfred Waldel and includes works by Bernard Aubertin, Tom Benson, Hartmut Böhm, Hans Peter Hoch, Kathrin Kaps, Norbert Kricke, Thomas Lenk, Vera Molnar, Dimitry Orlac, Steffen Schlichter, Anton Stankowski, Erik Sturm, Issao Takahashi, and Christian Wulffen.
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Robert van Altena in conversation with artist Jos van Merendonk, one hour interview (in Dutch)
Robert van Altena in conversation with artist Jos van Merendonk, one hour interview (in Dutch)
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SPRINGVOSSEN by Robert van Altena
Jos van Merendonk, 2014-2-9, 2014, 200 x 200, acrylic on canvas
New publication Jos van Merendonk
Text Mark Kremer, Stefan Majakowski
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Photography Allard Bovenberg
Design Rutger Fuchs
Publisher HIDDE VAN SEGGELEN, Hamburg
ISBN: 978-3-9819511-0-3
TEFAF Maastricht 2018
Hidde van Seggelen is proud to present a selection of works by Armando, Tom Benson, Harmen Brethouwer, Lutz Driessen, Suchan Kinoshita, Klaas Kloosterboer, Jos van Merendonk, Pieter Laurens Mol, François Morellet and Damian Taylor at TEFAF Maastricht 2018.
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TEFAF New York Spring 2017
Hidde van Seggelen is proud to present a solo presentation of works by Pieter Laurens Mol at TEFAF New York Spring.
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Museum Boijmans-Van Beuningen acquires Excquisite Corpse by Harmen Brethouwer
This cone by artist Harmen Brethouwer is made in collaboration with the architect Michael Young (Young & Ayata). This work is one from a series of 5 unique cones for which Brethouwer asked Michael Young to employ all styles from the book The Grammar of Ornament (1856) by Owen Jones.. In his book Owen Jones illustrates twenty ornamental style variations in total, such as Greek, Roman, Indian Persian, Renaissance which are combined in 4 different layered style sections in the cone.
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TEFAF Maastricht 2017
Hidde van Seggelen is pleased to participate in TEFAF Maastricht 2017 we will be showing works by artists Armando, Ansuya Blom, Tom Benson, Harmen Brethouwer, Lutz Driessen, Thomas Grünfeld, Siobhán Hapaska, Dom. Hans van der Laan, Pieter Laurens Mol, Andreas Schulze and Damian Taylor.
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